Can Science Fiction Inspire Technological Independence in African?


In September of 2014, during Storymoja Festival in Nairobi, I launched my first collection of speculative short stories, A Killing in the Sun, which features sci-fi, fantasy, and horror genres. A few weeks later, I got an invite to present a paper in Paris, at a workshop title Manufacture/Domestication of the Living in Science Fiction, at Le Cube, Center for Digital Creation. The organizers had chanced upon the book, and were impressed with the stories that tackled manufactured living beings. Below is a version of the talk I gave, last Friday.
 
In Paris, reading the sci-fi story, Lights on Water

The History of Humankind in Johannesburg

The perk of being a hardworking writer, especially if you put out a good piece of work like A Killing in the Sun, is that you get to go on these fully sponsored trips. Last month, I traveled to South Africa, to attend Time of the Writer festival, in Durban, and also to be part of the Literary Crossroads at the Geothe Institute in Jo'burg. I was with the amazing Napo Masheane, in a discussion moderated by the vibrant Niq Mhlongo. I'm not a good public speaker, I often squirm in front of an audience, but the reading I had turned out to be one of the best ever, maybe because Napo and Niq made me feel comfortable and welcome. 

The Jo'burg skyline, as seen from the Melville koppie

Hats and Feathers: The Fashionable Men of Karamoja

Every time I visit Karamoja, it feels like I've stepped into another world. I particularly like the colorful attire, which reminds me of Nepal, in many ways, (strange that they both love colorful clothing, and they both worship cattle). The one thing I can't get enough of while in Karamoja, however, is hats, especially those with feathers attached. I can't keep my fingers off the camera each time I see one, and I am never able to capture what it is that fascinates me about this fashion. I keep wondering if they adopted it in the recent past, or if it is something that evolved from ancient days. I would sure love to investigate it with an afro-futuristic lens.

The Darkness Behind My Book

During the launch of my first collection of short stories, A Killing in the Sun, one very irritating question kept coming up. What inspired you? It's the brother of that question every writer hates. Where did you get that idea? Alongside it came its sisters, how did you get into sci-fi? Why do you write sci-fi and fantasy? I always pause before answering these questions, because it's like asking me how I learnt how to breathe.


Why I Started a Literary Magazine

Many say it’s madness to start a literary magazine. Such a venture, especially one that focuses on African literature, can’t make money because, they say, there is no market to sustain literature on the continent. When I mooted the idea of Lawino to a friend, her advice was, ‘Don’t start it. All work and no pay makes Ojok a poor boy.’ It was discouraging, hearing that I would have to put a lot of energy into the magazine, and maybe never get paid for it. Still, I had this burning urge, for I wanted a journal to promote new writing from Africa, with particular focus on Uganda. ‘Haha,’ this friend laughed. ‘Promote Ugandan writers? You are wasting your time. They never submit their work.’